2,992 Royalty-Free Audio Tracks for "F Sharp Minor Chords"

Diminished triad on C , as MIDI.

G natural minor scale ascending and descending.

D harmonic minor scale ascending and descending.

D natural minor scale ascending and descending.

G harmonic minor scale ascending and descending.

D melodic minor scale ascending and descending.

G melodic minor scale ascending and descending.

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Diminished triad on B, as MIDI

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Alternate augmented ninth chord on C.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

German sixth with 6/4 resolution, generated on Sibelius.

D♭7♯11 chord = G7alt chord.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Dominant thirteenth: four-voice version.

Dominant thirteenth chord in four-part writing.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Viennese fourth chord.

Major triad on C. Created using Sibelius.

Neapolitan sixth in C minor.

Thirteenth chord CMA13(sharp11).

Octave and Minor third on C

Minor tenth on C - As MIDI

Minor thirteenth on F, as MIDI

E♭ natural minor scale ascending and descending.

E-flat melodic minor scale ascending and descending.

E-flat harmonic minor scale ascending and descending.

Generating chord for Michael Torke's Vanada (1984).

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Elektra chord: E B Db F Ab.

Dominant seventh in C in first inversion

Secondary chords in Maria Wolowska Szymanowska's Nocturne in B-flat Major, mm.1-5.

Farben chord.

Augmented triad on C, As MIDI

Quarter-comma meantone major chord on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

The Holly and the Ivy with piano accompaniment by Cecil James Sharp

The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427 Ferenc Fricsay, Berlin Radio Symphony Orchestra, Chor der St. Hedwigs-Kathedrale Berlin, Maria Stader, Hertha Töpper, Ernst Haefliger, Ivan Sardi.

Mozart - Mass in C Minor (Hesketh) - 12 Benedictus

Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427.

Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427.